For one day the light and the dark are equal. Why the autumn equinox asks us to find the balance point rather than do more, and how to take stock in the house before the dark half of the year.
She knows that pleasure is not a reward but a form of devotion. On the woman who savours, the holiness of small joys, and how to recognise her in your own house.
Not interior design, not decluttering, not fortune telling. A plain account of what happens when we walk through your house together, and what people usually feel afterwards.
Being sorted is not the same as being seen. An introduction to the Matrix: archetypes read across the woman, the home and the season, with no 33-question quiz required.
For one day the light and the dark are equal. Why the autumn equinox asks us to find the balance point rather than do more, and how to take stock in the house before the dark half of the year.
Surveys matter. So does the gate. How I read a house before anyone signs anything: the approach, the path, your body in the doorway, and five questions for every room.
Roots and wings. The two archetypes I meet most often, how they show up in our homes, and how to give each of them a place when both live in you.
If you want to know where the sun is in my house, find the dog. What a princess of a dog knows about reading a house, and a small practice for using the warm spots we deny ourselves.
Sometimes the most honest answer is not to rearrange the furniture. On the quiet signs that a house can no longer hold you, and how to leave well when it is time.
A shelf of chipped, mismatched teacups, and a case for keeping what you love without apology. On objects that carry us, and how to tell them from the ones that weigh us down.
A beautiful townhouse, a spotless kitchen, and a woman who could not bear to be in it. What the house was saying, and the small changes that let the fire be lit again.
The first harvest, the Reaper's sense for ripeness, and the strange beauty of seed heads. A month for asking not what else to start, but what is ready to be cut.
The Hearth House, the Lookout, the Keeper of Secrets, the Performer and the Crooked Cottage. On the archetypal signatures of houses, and what happens when their personalities clash with ours.
Nearly every house has one: the room with the door kept shut. What usually lives behind it, why it is not a failure, and how to open it gently.
She knows that pleasure is not a reward but a form of devotion. On the woman who savours, the holiness of small joys, and how to recognise her in your own house.
Not interior design, not decluttering, not fortune telling. A plain account of what happens when we walk through your house together, and what people usually feel afterwards.
